Courtney Clinton is a multidisciplinary digital artist based in Saint-Hyacinthe, on unceded Ndakina territory. Of Anglo-Canadian origin, her practice blends digital fabrication, installation, and public art to explore questions of cultural identity, collective memory, and our evolving relationship to place. Through collaborative, research-driven projects, she brings together diverse perspectives to reimagine shared histories in contemporary contexts. Represented by BBAM! Gallery in Montreal. In 2025–2026, she will be developing new projects with La Fabrique, le Square (BAnQ), 3e impérial (Granby), and Atelier la coulée (Montreal).
***
Which ’hood are you in?
I spend most of my time near Berry-UQAM. I am an artist in residence in the Fab Lab Le Square of the BAnQ Library.
What do you do?
I’m a digital artist, mostly in sculpture. I am exploring how artists can use digital fabrication tools like CNC machines and 3D printers to make sculptures and installations. It’s so cool how these technologies are now accessible through the Fab Lab movement.
What are you currently working on?
I am currently working on a collaborative project with the Montreal-based artist Kaia’tanó:ron Dumoulin Bush. We are using 3D printers to design collaborative artworks.
Where can we find your work?
I am represented by the Gallery BBAM! (like the sound you see in comic books). It’s a really cool space that supports music and the visual arts. The owners, Ralph and Allison, are amazing and do so much to support local artists.
