Kimberly Orjuela is a Colombian-born ceramic artist who lives and works in Montreal. Her practice explores her position as a latinx woman growing up in Canada and draws upon pre-Colombian forms and mythologies as well as post-colonial theories as a means to reconnect with and embody her Indigenous ancestry. Her intricately carved sculptures, made primarily in terracotta are painted with colourful terra sigillata and depict figures of power that exist within the mythical universe she creates. Exploring narratives and themes relating to climate change and mental health, these characters tell stories that speak to notions of renewal and rebirth.
She is diligent in her practice, navigating blocked streets and massive snow piles to show up to her studio even in the midst of Montreal’s epic snowstorms. Her studio acts as a respite where her mind can be at peace and her creativity flows. On a recent visit to her studio, Kimberly showed me her latest piece — a strong, self-assured female figure sitting atop a jaguar — a work that will be exhibited in an upcoming art fair. I couldn’t help but to see the strength and power of my friend reflected in the sculpture, boldly moving forward, creatively attuned to the world around her and ready to take on anything.
-Written by Sara Mericle, ceramic artist and friend of Kimberly
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Which neighbourhood are you in?
I live in the Rosemont neighbourhood in Montreal, where my studio is also located. I love this area for its peaceful atmosphere and the convenience of having essential shops within walking distance. Being so close to my studio makes my daily routine much easier and allows me to stay deeply connected to my work.
What do you do?
I blend traditional and contemporary influences, my art practice is deeply rooted in storytelling, with each piece carrying a sense of history, care, and emotional depth. I take inspiration from pre-Columbian ceramics, using symbolic elements to bridge the past with present-day issues like climate change and mental health. Beyond just making objects, I create immersive installations that invite reflection and dialogue, pushing the boundaries of what ceramic art can express.
What are you currently working on?
Lately, I’ve been inspired by gold pendants from pre-Columbian artefacts depicting warriors. This influence led me to create a sculpture of a female warrior riding a jaguar. My work often explores themes of environmental care and mental health, and I see these warriors as guardians against forces that push us further from nature, community, and equitable access to resources. They serve as protectors in both the spiritual and psychological realms, fighting for our right to reconnect, heal, and thrive.
Where can we find your work?
My solo exhibition at the McClure Gallery in Montreal ran until March 8, 2025. From March 7 to May 5, 2025, my work will be featured in a group exhibition at the Museum of Contemporary Art in Utah. In April, I will be exhibiting at the Plural Foire d’Art Contemporain in Montreal with Galerie Hugues Charbonneau, where the warrior sculpture mentioned earlier will be showcased alongside works by other artists represented by the gallery. You can find more of my work on my website, and on Instagram @kimsfolkart, where I regularly share updates on upcoming exhibitions.
